Untitled; b/w print with cut-out lettering; 300×340cm.; 2004
The passage into pavilion 2 where the post-studio sentiment meets most friction, in the real time remote up-datable image file projection, over the ready-for-restoration carriage body we halt at two prototypical studios: those of Max Ernst and Jean Arp, a workshop and living room respectively.
sources
photo (1959): Alexander Liberman
from: The Artist in his Studio; published by Thames and Hudson, 1969 World of Art Library; pp 228-229.
fabrication: Rijnja, Amsterdam (print); Konnex, Almere (lettering)
montage: Klarenbeek, LKB Schildersbedrijf, Almere
see also
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